![]() You will receive a tracking number via email when your order is processed. Orders placed Friday-Sunday will ship out Mondays and Tuesdays. Holidays), orders may ship within two business days. Orders typically ship the next business day. Orders after 2pm EST ship the next business day. Prices and estimated delivery times are available at checkout. Priority shipping is available for a fee. Pre-Orders ship at different times and up to two months from date of purchase. Orders should arrive within 7-10 business days after processing time. Grab yours today and let the music and warmth envelop you in the true spirit of the Grateful Dead. Stay warm, stylish, and connected to the spirit of the Dead with this exceptional piece of headwear. Whether you're heading to a concert, a festival, or just stepping out on a chilly day, our Grateful Dead 100% Wool Royal Beanie is the perfect choice. The full embroidery captures every detail of the dancing bear, ensuring that the beanie not only keeps you warm but also showcases your love for the Grateful Dead and their enduring cultural impact. Now, you can wear this iconic symbol of camaraderie and musical passion with pride. These bears have since become a beloved symbol of unity, music, and the free-spirited ethos that the Grateful Dead embodied. The marching bear motif first appeared on the cover art of the Grateful Dead's 1973 album "History of the Grateful Dead, Volume 1 (Bear's Choice)." Designed by Bob Thomas, the artwork depicts a line of bears joyfully marching, each carrying its own musical instrument. This emblematic design, with its colorful and cheerful dancing bears, has become synonymous with the band and its devoted fanbase. ![]() What sets this beanie apart is its intricate embroidery featuring the legendary Grateful Dead marching bear. Crafted from premium quality wool, this beanie offers unbeatable warmth and comfort, making it the perfect companion for chilly days and nights. Producing posters advertising for such musical groups as Big Brother and the Holding Company, Quicksilver Messenger Service, and Grateful Dead led to meeting the musicians and making contacts that were later to prove fruitful.Introducing our Grateful Dead 100% Wool Royal Beanie, a tribute to the iconic band and their timeless legacy. Material associated with psychedelics, such as Zig-Zag rolling papers, were also referenced. The psychedelic posters Mouse and Kelley produced were heavily influenced by Art Nouveau graphics, particularly the works of Alphonse Mucha and Edmund Joseph Sullivan. ![]() The Monster Company also developed a profitable line of T-shirts, utilizing the four color process for silk screening. Mouse and Kelley also worked together as lead artists at Mouse Studios and The Monster Company, producing album cover art for the bands Journey and Grateful Dead. In 1967, Mouse collaborated with artists Kelley, Rick Griffin, Victor Moscoso and Wes Wilson to create the Berkeley Bonaparte Distribution Agency. Later the pair also produced posters for promoter Bill Graham and for other events in the psychedelic community. In 1966, when Chet Helms assumed leadership of the group and began promoting the dances at the Avalon Ballroom, Mouse and Kelley began working together to produce posters for the events. ![]() Upon arrival in San Francisco Kelley and other veterans of the gang renamed themselves The Family Dog, and began producing rock music dances. Kelley, a self-taught artist, had recently arrived from Virginia City, Nevada, where he had joined a group of hippies who called themselves the Red Dog Saloon gang. Settling initially in Oakland, Mouse met Alton Kelley. In 1965, Mouse travelled to San Francisco, California with a group of art school friends. Stanley George Miller (born October 10, 1940), better known as Mouse and Stanley Mouse, is an American artist, notable for his 1960s psychedelic rock concert poster designs for the Grateful Dead and Journey albums cover art as well as many others. ![]()
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